Lampe suspendue en verre teinté coloré

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

Disponibilité:

5 + en stock, prêt à être expédié

UGC MHP-191015-01

Quantité

$195.00 - $555.00

$195.00

$195.00 - $555.00

$195.00

Cette suspension Tiffany rétro en vitrail est parfaite pour ajouter une touche vintage à n'importe quelle maison. Dotée d'une forme de cône unique, elle est fabriquée à partir de vitrail avec un cadre en métal. Cette lumière est parfaite pour ajouter une touche de charme à n'importe quelle cuisine, salle à manger ou chambre à coucher.

Source lumineuse

Une ampoule moyenne de 15 watts maximum (E26 ou E27) requise. (Ampoules non incluses)
Intensité variable avec des ampoules compatibles.

Mesures

Modèle A : P 7,7 x H 7,1″ (Blanc & Vert)
Modèle B : P 7,5 x H 7,5″ (Clair)
Modèle C : P 7,9 x H 4,3″ (Clair & Bleu)
Modèle D : P 7,9 x H 4,7″ (Clair & Noir)
Modèle E : P 10,4 x H 7,1″ (Bleu & Rouge)
Modèle F : P 10,6 x H 7,1″ (Blanc & Bleu)
Modèle G : P 10,2 x H 6,3″ (Rose & Bleu)
Modèle H : P 10,2 x H 6,3″ (Marron & Bleu)
Modèle I : P 7,7 x H 11″ (Blanc & Vert)
Modèle J : P 7,5 x H 11,4″ (Clair)
Modèle K : P 7,9 x H 8,3″ (Clair & Bleu)
Modèle L : P 7,9 x H 4,7″ (Clair & Noir)
Modèle M : P 10,4 x H 11″ (Bleu & Rouge)
Modèle N : P 10,6 x H 10,2″ (Blanc & Bleu)
Modèle O : P 10,6 x H 10,2″ (Rose & Bleu)
Modèle P : P 10,6 x H 10,2″ (Marron & Bleu)
Longueur du fil : 59" (Hauteur totale réglable)

Caractéristiques

Support de lampe et rosace en laiton.
Abat-jour en vitrail Tiffany.
Conforme aux certifications d'Amérique du Nord, d'Australie, d'Europe et du Moyen-Orient.

Ressources du fabricant


Fiche technique	Fiche d'installation

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Mooichome · Stained Glass Lighting

Copper-foil Tiffany glass · Solid brass

Light, drawn in glass and brass.

Name: Lampe suspendue en verre teinté coloré
Brand: mooiehome
SKU: MHP-191015-01
Price: 195.0 USD
Availability: InStock
Rating: 4.79 (52 reviews)

Each pendant is a small stained-glass window turned into a lamp — hand-cut coloured glass wrapped in copper foil, soldered by hand, and hung from a turned solid-brass holder. Switch it on and the seams disappear into colour.

ShadeTiffany glass

HolderSolid brass

FittingE27 · 40W

Brass Tiffany pendant with frosted glass and green glass clover motifs, glowing warmly

MODEL N°01 — Scalloped dome · Green clover

Scroll

Solid brass, not plated

The holder and ceiling canopy are turned from solid brass, so the warm tone deepens with age instead of flaking away.

Genuine leaded glass

Real coloured and textured glass — copper-foiled and soldered in the Tiffany method, never a printed film or moulded plastic.

Cut and soldered by hand

Every panel is scored, ground, foiled and soldered by a glass-worker — so no two shades carry exactly the same grain.

Close-up of a soft-blue curved-petal stained-glass shade, with copper-foil solder lines and inset jewels clearly visible

1878COPPER-FOIL
METHOD BORN

The Craft

A stained-glass language a century in the making

In the late 19th century, Louis Comfort Tiffany replaced heavy traditional lead came with a thin ribbon of copper foil, making it possible to solder slender, flowing curves between one piece of glass and the next. From then on, stained glass was no longer only the grand narrative of a cathedral window — it could become a lamp you hold in your hands.

We follow this same old method: no molding, no printed patterns. Every piece of glass is scored, ground, foiled and soldered by hand. The metal's frame and the glass's color complete one another in the light.

"Color is to glass what light is to life — neither can do without the other."

— COPPER-FOIL CRAFT · A LEGACY OVER A CENTURY OLD

120+

Hand-Cut Pieces

Most pieces in a single shade

16styles

Colorways

Two shapes · two hangs

5steps

All by Hand

Sourcing to assembly

1878

Where It Began

Year of the copper-foil method

The two materials

Brass that warms, glass that glows.

A pendant this small lives at eye level, so both materials are chosen to reward a close look. Here is what each one is, and why it matters.

01 — Hardware

A turned solid-brass holder & canopy

The lamp holder, the ring that grips the shade, and the ceiling canopy are all machined from solid brass and given a lightly brushed finish. Brass is heavy, quiet, and ages honestly — catching warm light along every turned edge.

Turned solid brass — weighted, not hollow plate
Brushed satin finish that patinas gently over years
Standard E27 socket, rated to 40W
Twisted fabric flex, height adjustable on install

Close view of the brushed solid-brass holder and canopy above a rippled clear-glass scalloped shade

02 — Shade

Hand-cut Tiffany stained glass

Each panel of coloured or textured glass is cut to a paper template, ground smooth, then wrapped in adhesive copper foil and soldered to its neighbours. The dark solder lines become the drawing; the glass becomes the colour once the bulb is lit.

Copper-foil (Tiffany) construction, soldered by hand
Textured, rippled & opalescent art glass
Inset glass "jewels" and cabochons on select models
Every grain slightly unique — no two identical

Textured clear-glass shade edged with black solder lines and set with small red glass jewels

Bench to ceiling

Five steps, one pair of hands.

This is the real order of work behind a single shade — the same sequence Louis Comfort Tiffany's studios used more than a century ago.

Select glass

Sheets of coloured, rippled and opalescent glass are chosen for grain and how they'll carry light.

— raw material

Score & cut

Each piece is scored to a template, broken out, then ground on a diamond wheel for a clean edge.

— shaped

Copper foil

Every edge is wrapped in adhesive copper foil — the step that makes fine, curved seams possible.

— foiled

Solder seams

Panels are tinned and soldered together into a dome, building the dark leading lines you see.

— joined

Fit to brass

The finished shade is patinated, cleaned, and mounted to the turned solid-brass holder.

— assembled

Lights off · Lights on

A still life when dark,
a painting in light when lit.

Half of a stained-glass shade's beauty hides in the dark. Switched off, it's a quiet tabletop object; the moment it lights, the dark solder lines vanish, every piece of glass ignites with colour, and a soft glow falls across the walls and ceiling.

Blue conical stained-glass pendant switched off, colours quiet and restrained

Off A quiet tabletop still life

Blue conical stained-glass pendant lit up, glass ignited by warm light as the solder lines recede

On Colour ignited by warm light

The details

The care you only notice up close.

A small pendant tends to be studied at arm's length. Two finishing touches carry most of its charm: the glass jewels along the shade's edge, and the way the texture scatters the light.

Soft blue scalloped shade with red and amber glass jewels set along its lower edge

Set by hand

Glass jewels & cabochons

Faceted glass "jewels" are soldered into the border of several shades, catching a bead of coloured light along the rim.

Rippled clear art glass shade under a brass holder and walnut handle, light scattering across the texture

Rippled & opalescent

Texture that softens light

Hammered and rippled glass diffuses the bulb into a gentle, uneven glow rather than a hard point of light.

Two ways to hang

Solid brass, or a walnut handle.

The same shade comes on two suspension builds. Choose the drop that suits your space: solid brass brings a classic, vintage note, while a lathe-turned walnut handle feels warmer and more mid-century.

Teal conical Tiffany shade with red glass droplets, hung from an all-brass fitting

Style A

All-Brass Drop

Fitting, ring and canopy all in brass, with a braided twisted cord — a traditional, understated way to hang.

Teal conical Tiffany shade with red droplets, hung from a brass fitting topped with a turned walnut handle

Style B

Walnut-Handle Drop

Above the brass fitting, a length of lathe-turned solid walnut adds a warm, wooden note to the drop.

The full range

Sixteen shades, one craft.

Dome and cone, deep jewel tones and soft pastels — every pattern is made with the same method. Each card notes the model (A–P), colorway, and dimensions (diameter × height, inches), so you can pick a light to suit the room rather than force the room to suit the light.

Uniform spec for range imagery · recommended 900 × 1200 px 3:4 portrait, shot on a white wall, centered, with consistent margins.

In the room

One lamp, one corner lit.

About the scale of a single bulb, it's perfect for the spaces a big ceiling light can't quite reach. See how it settles into different corners of a home — bedside, dining table, entryway, stairwell and window — a jewel on its own, a scene in a group.

BedsideTable / IslandEntrywayReading CornerStairwellBay WindowBarStudy

Buyer's guide

Three steps to the one that's yours.

Sixteen colorways, two hangs and two shapes may look like a lot — but three questions are all it takes to land on the right combination.

Step 01

Start with the light in the room

Colored glass or clear glass

Bright, sunny rooms — go for deep colored glass (teal, amber, rose); the color reads fuller when lit.
Darker rooms — choose rippled or opalescent clear styles for a soft, unheavy spread of light.

Step 02

Then set the mood of the hang

Solid brass, or a length of walnut

All-brass drop — vintage and crisp, a classic for French and quiet-luxury spaces.
Walnut handle — warm and relaxed, the finishing note for mid-century and natural-wood interiors.

Step 03

Last, pick shape & number to hang

Based on the spot and the scale of the room

Curved-petal dome — round and full, light gathers downward; ideal bedside or over a desk.
Flared cone — open and light, a wider spread; ideal over a table or island.
Hung in a group — over a long table or in a tall space, 2–3 at staggered heights look best.

FAQ

A few things before you order.

The bulb isn't included. Each pendant takes a standard E27 screw-fit bulb up to 40W. A warm-white LED (around 2700K) suits the glass best — it keeps the colours rich without running hot inside the shade.

Yes — the twisted fabric flex is shortened to your drop at installation, so the same pendant works over a table or in a tall stairwell. Give your electrician the finished height you'd like and they'll set it on fitting.

It's a standard hard-wired ceiling mount. We recommend a qualified electrician fit it, both to set the drop height cleanly and to meet local wiring regulations.

No — and that's the point. Every piece of glass is cut and foiled by hand, so the grain, texture and exact tone vary slightly from shade to shade. Yours will be one of a kind rather than a moulded copy.

Absolutely. Over a long table or in a stairwell, 2–3 pendants at staggered heights look best. Mix shapes and colours, or repeat one model for a calmer, more uniform run.

A window you can light